Satvat for Corrado Nucci
exposed to the elements, the trees dance and resonate. Their very essence is harmony, perfect for building musical instruments. Wood sculptor, Corrado Nucci hears the inner vibrations that reveal what lurks in the art god. Then, the passion of the artist strives to liberate Epiphany of form, separating what is vital, and has meant, from the dross. The "wood-talking" Nucci show us that the art form is not arbitrary but rooted in Being. In fact, the sculptor does not create from nothing, from a barren dream, rather, as Gaudi said, continuing the creative work of Nature. Realizing that the Art is a place of extraordinary meetings, Corrado Nucci builds a forest of characters. They are figures carved in the round, as a staff universal dall'immaginifico score of their bodies, draw earthen echoes of music, composing a concerto. The flute evokes the magic forest, that his companions erected to heaven, just like the trees. By entering this enchanted forest, enjoying the invigorating mythical sense of Nature.
Satvat for Walter Ambrosini
Painting and Music, as sensed Kandinsky, languages \u200b\u200bare more than assonant because entambe base their magic on vibration, tone and rhythm of speech. The painting consists of the agreements appearing visible cause in us an intimate resonance, while the music does the same with a dance invisible, without a trace. So, doing a pictorial tribute to the music, Valter Ambrosini evokes a path filled with reflections safe brushstrokes, the artist portrays musicians who are busy in giddiness of the jazz harmonica, showing almost an epic of passion, sound and mood, a phenomenon fully human , liberating, Dionysian. At the same time, he associated with his counterpart this invisible, angelic referring to a plan that is complementary, in the archetypal sense, to that of humans. Angel musicians, taken from the Last Judgement by Luca Signorelli, alongside jazz musicians, but so solemn, distant. Their heavenly music is inaudible to the ear, However, the intuition of the artist reveals that dense and volatile are reflected, so that those angelic psalms of worship can be incarnated by human inspiration. Certainly, the man translates that inspiration with his own transcendent heat, in a dynamic, engaging and even orgiastic, but, in hindsight, it's the same music, same hymn of praise to life, which can be as ethereal roaring, showing beauty in a different way. Freedom from moralism, as deeply felt in their true, the Arts announces that there is an unbridgeable distance, the summit and the abyss can meet in harmony ineffable, that is the essence of salvation Unit. Therefore, after dreaming of nine paintings in the blue sky and peaceful, Valter Ambrosini does not omit to inflame a work in red, a reminder that seemingly inferior indeed used to establish a balance, being a device that recalls the unique alchemy of the Whole.
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