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| Vincent Van Gogh - Cypresses - 1890 |
Van Gogh: Country timeless and modern city.
Taking the cue from the Roman exhibition on Van Gogh, I'll be talking about this extraordinary artist, which I mentioned on many of my books. In him are reflected in all the untamed dreams and the inspiration of heaven and hell, the conflicts, the insights of the secret forces to the subject, inspired vertigo that belong to each artist. Van Gogh lived all this with courage and catharsis primordial sacred tremor, paying a heavy tribute to the birth of identifying individual / artist, but his work, but tragically the flesh, has found the path of an asceticism which still moves and teaches. Not as a spiritual dreams, but as intense alchemy that has deepened with the bowels of man as the strength of the painting, the painter has excavated there, rummaging through the waste up to transfigure into the light. This is why his paintings are not extinguished, but hidden like embers on the canvas, sensitive to every breath to stir up and spurting contemplative wonder.
The painting of Van Gogh lived deeply his time, taking root in the lava with incredible tenacity and desperation, but what he drew a gasp of vision that has transcended time, becoming immortal. And deeply joyous, in spite of everything, showing the inalienable treasure of art, no artist has ever forget. Then, at the dawn of Modern Art, the light a little material and truthful, thrown by the brush, it was considered rude by right-thinking people who wanted mainly anesthetized art, traditional aesthetic feeling reassured, but that primitive force, detached from the compromise was a pulse of life that nothing has been able to choke. This welcome, enjoy sensually, spiritually recognize, feeling intensely grateful.
front of the paintings by Van Gogh, squeezed by rising chills colors, lively and full of juice as a ripe fruit. In this way the painter has represented his visionary dreams: Shaping the swollen flesh, opening the seal of his bowels and down at the bottom the mine, to draw the shiny gems. He has tried the ancestral thrill, finding a dynamic sinusoidal soul that has lifted all severity figural, everything is in motion, nell'irrefrenabile mutation of Life, more fearful than men have tried in vain to restrain. The artist, son of that time, could not bear all this in his own personality, kept a stiff sore, a little meditation, however, did not recoil, until being broken. But his courage adventurer has at least provided the prayer of his painting screaming far more valuable and more real each psalm, each acting rectory. The drama
s'avverte more in urban visions of Van Gogh, the scene of bitter confrontation and exclusion, but even in these the artist has dropped a mood intimate, deeply human and infused with compassion. Yet the modern city could not limit the proliferation of the interior, which is glorified in rising and swirling starry nights.
reflected in the nature setting, Van Gogh has been discovered more Eastern transfusing his love for Japanese prints. His exploration of natural forest has un'afflato not flat, but suffused with a lively sense of satori, Zen revelation that the artist had unconsciously breathed along with art from the Far East.
Ultimately, the exhibition is an occasion of the Victorian to open the heart, taking part in the powerful visions of this great artist, patriarch of inadvertent detection brave man and Painting.
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