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Satvat for Tarshito

The Vase and the Leaf - 2010. Implementation / Made by : Christian Fasano

Metal and Ceramic / Structure in metal and ceramic

diam. Max. cm.108x255h

Tarshito (Nicola Strippoli) has a particular kind of architect, designer and performer. His commitment to follow their own pathways in the creative world of art, like a stream that explores unexpected territory and collects tributaries becoming stronger, carrying in its flow inspirations, experiences and different fragrance, which delights in sharing. There is something in Tarshito Renaissance intellect that sun that brings thousand seeds to bloom, drafting a Soul tune Mundi which develops in a workshop of achievements, when many artists and craftsmen involved with their talents, beyond any cultural barrier guessable. That's Tarshito Group is an orchestra, a community of purpose that transcends the solitude of showing that we are the world. We are the world, implying responsibility for awareness creation, and union. Realizing this, poverty does not empower the individual, nor the complaints: there is so much to explore, create and share.

Develop new visions of the world is the highest task of art, built using expressions thoughtful and inspired. If this occurs, the architecture of the intangible spiritual inform the terrestrial architecture, creating a new world and more vital. Architecture is etymologically and symbolically in Earth science to establish the vertical pillars that evoke the sky, and has in it the sense of sacredness, a payment between the human planning, the laws of Nature, and climb the freedom of the Spirit. It is not a question of proportion, but a stream of inspiration and construction ranging from macro to microcosm, as Nature shows us that builds with the same perfection that is great as the body so minute as to be invisible to the eye. So the magic of a cathedral is not greater than that of small wax Tarshito architectures, in which the organic material and soft highlights the imprimatur essential to impermanence. In life nothing is permanent, everything is in flux, and thus the work of art that stands firm, which gives an impression over, it is not art, it is not existential. Striking examples of this we, as the eternal construction site of Gaudi's cathedral, which opened a few days ago but formally free from conclusion, and indeed any work of art, whether painting or sculpture, or whatever, it must maintain a voltage dynamics, an inner life that is filled from the stream.

I believe that it is this understanding has inspired Tarshito to develop consistently the topos of the vessel, object open and full of references symbolic. The vessel is always potentially pregnant women and, above all full of space. It is a container, but in a symbolic sense, not merely functional: its task is to enhance the space, as well as enhances the body's soul, allowing her to experience. The Platonic sense of the body as a prison of the soul is in fact erroneous and negative life comes to be, but the perception of the body, land, must remain open at the top to accommodate the vast meditative, as in the vessel. This is Vasus alchemical interrupter which can be accomplished the miracle of Revelation. Its matter how precious it is humble, and it shows Tarshito with fine carvings of materials, finely textured color, embroidered with symbolic, sometimes infused with touches of Zen free. The vessel is the womb of Nature, as she filled with changing expressions, figures, dreams of poetic creation, so the story is a tangible metaphor for the content and inexpressible.

The artist himself is a pot full compliance receptive As transmission. Tarshito of what was invested in full and, as he said himself, he strives to seek "the crucible of ancient knowledge and wisdom to bring all this and more in Art".

www.tarshito.com

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Satvat on Henri Michaux

In my opinion, Henri Michaux was not a painter but a great writer, who also wrote the painting. In the extreme, especially frank and disarming. However, his paintings have reserved a special place in the garden where he grew the treasures of the art of writing. Bewitched by the calligraphy of the Far East, Michaux sought the mysterious power of the matrix of signs, that virtue esoteric, it was said in ancient times, had made the demons flee, fearful because of the ideograms with the invention of the man had acquired the supremacy over them. But his ancestors are signs of illogical characters, no stuttering of an alphabet format, never acted, prior to any idea and the same intention to communicate.

In fact, the artist did not intend to communicate (that's why I say that its not actually painting), rather than experience in solitude the ancestral origin of the sign: the fault lines of the unfolding of 'egg of silence. He did breaking up any possible recognition of language, not using the brush to draw a sign content, but to mix the informant, and from this derive the infinitesimal signal a genesis in action. The use of psychotropic substances has helped the artist to straddle the rules of thought, until all'agnosia where the hand is driven by pure instinct completely impersonal. His mescaline paintings do not show the involvement of a painter, rather than paths from crawling insects appear, from quotas falling leaves, dust deposited a spell of the case but a case of anything but meaningless, akin to that with Li The ancient Taoists defined the ancestral wisdom that had universal veined jade or wood.

The case agent in the painting of Michaux it is much less sterile than many random works of contemporary art, because that's where he meditated deeply, sensing the hidden harmony. Eschewing the desire to produce and to give an arbitrary meaning, he has tasted nothing experiencing the least, and caused significant only in virtue of his honest prayer. This honesty, as sovereign of every true artist, is what we value most.

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Posts by the Brothers of the Earth's surface in Humans Under

You are immersed in Maya, the cosmic illusion, the only wisdom that you can call is when you abandon the energy of madness. Insanity is the only medium that can take you to manifest the reality. If you move into a fiction you can not take it seriously, the only state of mind that you can keep in front of such a game is fun, Joy. And 'also true that even if it is a fiction we must be vigilant, because you're surrounded and can be fatal not take precautions, such your physical bodies are made of the I dream of the same substance. Who is preparing to give birth Reality is neutral in the eyes of men, but divinely wise in the eyes of God True Wisdom is to bring the body to the vibrations of real light, so you can take back with you, traveling in the illusion without having to go through the death and the deaths of your life, and until you step into the Truth you are free, and death will be the only way given your current knowledge to move on. So not only die, but playing oblivion of what you were because when you come back you do not remember anything that was so much that you wonder if you're here for the first time and infinite realms of doubt that you have visited. Death is not bad, it's just a different way to be born, but when they give birth yourself, you are the birth so you can not die, no more will happen to forget you. If we talk about it is certainly not because we see things from a prime location and more convenient or because life has been more generous with us in giving us a sharper view, you talk like that because in the course of evolution, once we played the same Your game, our feet often stumbled just like your and our faces were furrowed by your own tears, in difficult times. Learn to laugh more, spread a smile, it costs you nothing, but enriches the others and relieves you of all your burdens. Do not you think it is something unnecessary or a luxury, and laugh your difficulties will disappear, when the laughter comes from the heart is a spiritual force from impact vibration because energizes and harmonizes your exterior. And where does this force you ask? It comes from your folly, is the ability to go beyond the arrangements required by your logic, because the only logic to which you aspire Solar is the logic, that perfect and immutable in its manifestation can only belong to the Sons of Light who have recognized as part of the Great Whole. What is real within you must understand, can not be grasped, but As for you is a temptation to label everything as you love the names and definitions, but ... how you want to petrify the Life Force that runs for ever and can not be crystallized? We know you're going through difficult times, in this age are learning that you are the creator of your personal illusion and erasing all traces of the old creation illusory called destiny. Mind you that in these times of great change and trouble some of you may regain the ability to create the cosmic void and bring out from the Ocean of Life whatever they wish, and create the New Earth will manifest within a paradigm that will learn with no more suffering but through joy, for this will be before the narrow street and the narrow gate, however, will only be a moment of transition, one thousandth of a second compared to eternity that awaits you when you re- your real identity. You can always express everything you want, but most so far have not grown in your true desires, whims only have sown, so you missed one thousand in your creations that have come into conflict with each other. Thought and speech are the means by which you create your own universe, and the Forces of Shadow nell'indurvi were able to create a paradigm where your every thought and every Your words reflect their twisted and petty projects, and how you were able to play their game, totally unaware of who you were. This paradigm is called New World Order and must be dismantled within you my dear, because if you scraped off all add-ons imposed by genetic and psychological Poor Brothers of Love will not be able to make the big leap. Abba is going to touch the harp strings, which is our solar system, the rope that is to vibrate the stronger our beloved Earth. The Earth is about to play the Fifth sweet note, is about to disappear through the process of etherization who underwent the other planets, if you want to keep up with this Great One Archangel that is Gaia, then you learn to play within yourself that Dolce Fifth Note I mentioned. You are not alone in this process, we are your brothers in the earth beneath you expect full of Joy.

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Satvat for Francisco Zúñiga

Francisco Z iga a is one of the greatest contemporary artists of Mexico. Years ago I had the pleasure to write this letter for him, shortly before his death.

Francisco Zúñiga - Desnuda with manos a la dear, 1970

Contemplating the art of Francisco Z iga a .

In the Temple of Earth, Turned legs and solid columns are women, never even bent under the weight of pain. In rendering the sacrificial, the woman has the innate gift of lightness and redeems the pride that fate.

I went through a gallery of portraits and figures, such as primitive cave paintings - the eternal becoming wise icons. I have seen in the faces fresh indeturpabile the older offspring, and young girls as old as the ages of the world. The running time is entangled in the skirts, and plan the future, leaving the song burning memory.

amazement, I saw the majesty of the round, pregnant belly - Infinity footprint on earth. With amazement, I heard the roar of the fire inside, and crisp, warm water of consolation.

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Satvat for Julliet Hernandez Ramirez

Julliet Hernandez Ramirez - Cassandra Mystic

The Venezuelan painter Julliet Hernandez Ramirez apply a clear surrealist images in his talent for "dreamer" in shamanic sense. This "dream" spiritual is the means to penetrate the territories and irrational symbol of life, the mysterious currents Nagual inner chaotic and overwhelmingly creative. The shaman does not petrify the flow and the power of vision with the mediocrity of common sense, but it rides wisely mighty wave, drawing forces that are normally inaccessible. Julliet accomplishes this task with a sensitivity exquisitely feminine mystique by Cassandra, painting dream a reality that needs to show up for the Moon.

Intense is your impression of the color: it has the significance that the world appears to ' dusk, when things, first of darkness, the flashes of color give off even more saturated than during the day, far more intimate secrets. The color of female skin is not dyed, but emanates from the inside as the intrinsic quality of life and consciousness. The surrealism of the painter is not at all mind being purified any cunning arrogant originates from the heart, so it is soft and round, and all natural, making existentially effective and evocative. It involves looking to enter an enchanted forest, where the full moon dance ecstatic priestesses, while all around the vegetation is in the rite with bright flowers, fruits and fraught with vital juices, ready to be picked. The woman is the queen of this kingdom of the soul, and magic button, the mirror of painting held the vivid images of caster: goddesses, deeply human, shining smile of the Mona Lisa; sirens drowned in languor until the wisdom animals totem dell'oltrespazio landscapes. The opulence of the various soul figures is nourished by the universal motherhood of Pachamama, Mother Earth, for this, though lonely, are supported by a unanimous feeling of responsiveness.

Meditation witness everything artist with a purity in the here- e-innocent now that lights the fire of vision, that Eros fertilizes the womb of life and art, giving birth to the fantastic. Everything is still, caught in with hieratic presence, yet internally fluid, mercurial alchemically. Julliet Hernandez Ramirez has gone deep, up to know the deeper nature of any artist: to be capable and visionary powers of the secrets of creation. His work is full of possible references the great painting of Latin America. For example, we find similarities with the paintings of Frida Kalho, being also a phantasmagoric painting of a woman, intimate reflection of self that is full of moods and feelings of women. However, the tormented sense of drama, bringing in creative reflection of Frida was more settled, meditative passed beyond the thorny legacy of the self. By virtue of this, the art of Julliet is an opportunity for celebration and magic.

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Satvat Vincenzo Di Biase

contemplating the paintings of Vincent Di Biase, I have seen blooms of magma metaphor of the "feel", traveling on the wing of a high inspiration; I found diagrams and signs of active magnitude linearity narratives dell'impalpabile fabric of the soul. Without the bonds of memory, but with the sincere responsiveness of the here-and-now. I fell in love and endless harmonic tremor, recognizing the mysterious breath of life that moves sunrises and sunsets.

It is of course back on the routes of Art, the epic break up the shape made taking , Pollock. But the chaos, so devastating, he found the painting of a natural evolution Di Biase, engaging in a hidden numerical codes which inform the plastic fabric smoothly. In the past of his teaching mathematics, the artist must have breathed the Pythagorean infinity, then transfuse in Art with a breathtaking view but basically correct: you do not succumb to the grandeur unmanifested, but we remain in compliance cohesive fine detail. The numerological wisdom is expressed by modulations that would retrieve the calligraphic writing of Tobey, but more Bacchic. However, there is the taste of this myth that giving up the illusion of form is found to be even more powerful.

Among the mystical views of this painting, a nod to the fleeting smile of vate, it rejoices in the dances the brush, showing up with inventions of light, expanded with harmonic waves and unpredictable; however, remains incognito, hiding his imagination in the annals. I saw him play with himself - in fun - opening myriad round eyes that recall the Cauda Pavonis achimistica. In this painting positive refreshes the soul, reconciling beyond the limits of space-time, visiting the inside and outside, sacred sexuality, it enchants in color combinations that highlight the power of the Numen and the Annunciation of the cosmic principle Unit.

And as the Principle Act is divided into Creation, forming Yin and Yang, the feminine and the masculine, just as the work of Vincenzo Di Biase shows two different faces and polar symbolically representing the blood and animus. In some paintings are seeing number sequences of the explosion of color and shape, an impression of a constructive stimuli, even subversive, which are classified programmatically. Instead we immerse ourselves fully in other works in the feminine flow of vital water, where everything transmutes with mercurial languor, and where numerology is out, showing only the uncontrollable force that was there. In both cases, the logic is sublimated into philosophy without a name, which anticipates itself in the primordial mystery of wonder.

I think the secret aspiration of this artist is to be able to merge together, himself as in his work, the double inspiration of Yin and Yang, with a kabbalistic understanding arcane laws which are founded the Creation, in order to return in spirit to the Source. This intuitive dream belongs to every human being, lit by the divine spark in man that tends to create the amazing richness of their presence.

www.vincenzodibiase.it

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Satvat on Salvador Dali

Salvador Dali - Still life living

Research Art Salvador Dali was that of absolute beauty, by the sum exaltation of genius. It may seem strange, given the disturbing images with which he animated his paintings, but did not worship the Venus Divine and bright, rather than cut off the statue of Venus de Milo, since that dramatic incompleteness found the will of every invention. His lucid madness did not stop on the glossy cover of aesthetics, nor aspired to spiritual consolation of the dream, but he tried another: the art of martyrdom which has sought to draw an unusual rebirth.

not was compassionate, Dali, let alone with himself, and basically this is his cruel beauty, I would say its glorious error. He sought the ultimate meaning of the arcane existential pathos in the sovereign did not smell the rose so high as to seem a mirage, but addressed the pins closest to the Earth, giving the most sensitive points with pride to a martyr self-sanctified. It was voluntarily crucified on the vertical axis of Art, as the Christ of his famous painting, but deepening the chasm and exhibiting narcissistic wounds of his teeming imagination. From this extreme position has looked at the dark recesses of the psyche and subversive, with the ghosts dell'inafferrabile in the daylight, they are nailed to the canvas, gasping in the throes inflicted by exposure to immodest to the eye, because the painter has dissipated the fog that stirred elusive and subject to change.

Salvador Dali has petrified the Mercury of the philosophers, for gutted. What you found? Germs at the time of mythological outline fermentations subliminally erotic paranoid, differences of wisdom, heroism illogical and harmful. However, the painter was trying a different and higher level design, down to hell with all so, as he said himself, that his hand was guided by an angel. While watching the Divine encounter more easily with intensity in the recesses of life, not in abstraction once idealistically Heaven, it is also true that this must transcend themselves, becoming fully empathetic. Instead Dali was full of himself, but was still rewarded, invested by the phosphoric light of the fallen. I say this on a profile at all religious, but purely symbolic and mystical: Lucifer is a merciless light, exposing forcibly without the embrace, so no chance of understanding. This is also the case for a glacial spaciousness and solitude of metaphysical, multiplied systemically to contain the contemptuous detachment of the ego. The artist has illustrated this in the highest degree, applying to excess a gallery of distorting mirrors in which complacency obsessive genius of the mind. Luciferin is in fact the nature of its contemplations, a desire to be God arbiter of happening, with the pride he showed us the whim of transcendent cosmic laws, as well as could understand them making more than man, artist.

But in my opinion has remained a spectator overwhelmed, attracted by gravity into the chaotic abyss of creation, in what is defended, with undeniable genius, to strokes, making a shield depicting the images of the Shadow. With more humility you can let yourself be carried into the vortex, until the non-being, and when the artist is gone, it gives off the scent of the rose.

SALVADOR DALI ': THE DREAM IS CLOSE

exhibition at Palazzo Reale - Milan

22 September 2010 - January 30, 2011

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Satvat for Sigawayan

Sigawayan - Awakening of the Apocalypse I - II (diptych)

In painting Sigawayan (stage name of Wong Wing Kuen) mix the fluid art of East and West. These raging currents meet and highly chromatic originate reels and foam dreamy, but actually they are synchronous and integrated into the fabric art of meditation, in a way that goes beyond the apparent contradictions and reveals the secret unit. So the artist produced in Asia is far from exotic, rather brings an enrichment of the vision that emanates from within.

While in Western classical painting and looked out at the top, refining the design in imitation Nature and spiritually, the images of religion and myth, the Far East pictorially nell'indeterminabile faded, bringing the look inside, in a meditative subjectivity so deep to reach the mystery of the matrix. Since the modern Western art celebrated the dynamic contradictions, according to an epic driving that sought to gain a new sense, spiritualized existentially, though, as I discussed at length in my book The Tao of Painting, the heroic efforts can build a colossus with feet of clay, or abstruse, if creation is not supported by the inner awareness and meditation. This is why many great painters of the twentieth century strove to rediscover themselves, and to recreate the Eastern tradition of meditation classes, less canonical and more focused on the individual.

globally accepting this artistic heritage, including virtue of her own life between East and West, Sigawayan Ponteggia the two cultures responding to the current melting-pot culture in which confront the new challenges and ferment of Art. During his long stay in Florence, he has explored more meaningful stimuli, learning even the mystical painting of icons, yet kept the pride of identity and freedom of expression research. His pictorial world unfolds with inflorescences strongly chromatic, we remember the love of the ancient Far Eastern painters for the flowers, and plastic structure of his paintings often reflected the intentions of Chinese painting of landscape, consult the various elements in 'harmonization of Yin and Yang at other times of the inserts in black and white recall the tonal richness of ink painting.

The painter follows the old precept of painting in the eastern circle, all-encompassing symbol of the Tao, so the forms become entangled, almost botanically, so fluid and circular, with a dynamic metamorphism which constantly evolve. This circularity, which is an expression of creative harmony virtuality of inner energy, was discovered by modern art in the West, and this applied irrationally subversive, and many modern artists have thereby denied the penalty, freeing the creative feminine, wild and iconoclastic. So in contemplating the work of Sigawayan we can find similarities with the organic abstractions of Arshile Gorky, or with Andre Masson, and even delusions Co.Br.A circles, but the detachment of the artist keeps in eastern ineffable balance. However, there is a primitive pathos, and even the contemplation of the abyss, but any hint of annihilation has consciously and joyfully the seed of rebirth, dell'irrefrenabile change.

The quality of the Far East is Sigawayan especially in his line to be painter, by which embroiders his magnificent universes, and noble follower pulse calligraphy. The spiritual treasure of oriental calligraphy has the central character of some paintings, which performs compositions that are incomprehensible to us linguistically, sign but seductive, dense writing this post is like a veil to cover the sacred depths of the canvas, which shows the face of a Buddha deep in meditation. In other interesting paintings, calligraphy, drawings of anthropomorphic images and hieratic, placed on a golden background absolutist, these figures worship a central sphere, and mother of pearl button, which is a representation of the whole. These works, profoundly iconic, are square, the symbol of the Earth that is complementary to the circularity of the sphere, symbolic of heaven. The line informs the harmonious shapes crouched, imparting a vibration intimate and devotional.

www.sigawayan.com