contemplating the paintings of Vincent Di Biase, I have seen blooms of magma metaphor of the "feel", traveling on the wing of a high inspiration; I found diagrams and signs of active magnitude linearity narratives dell'impalpabile fabric of the soul. Without the bonds of memory, but with the sincere responsiveness of the here-and-now. I fell in love and endless harmonic tremor, recognizing the mysterious breath of life that moves sunrises and sunsets.
It is of course back on the routes of Art, the epic break up the shape made taking , Pollock. But the chaos, so devastating, he found the painting of a natural evolution Di Biase, engaging in a hidden numerical codes which inform the plastic fabric smoothly. In the past of his teaching mathematics, the artist must have breathed the Pythagorean infinity, then transfuse in Art with a breathtaking view but basically correct: you do not succumb to the grandeur unmanifested, but we remain in compliance cohesive fine detail. The numerological wisdom is expressed by modulations that would retrieve the calligraphic writing of Tobey, but more Bacchic. However, there is the taste of this myth that giving up the illusion of form is found to be even more powerful.
Among the mystical views of this painting, a nod to the fleeting smile of vate, it rejoices in the dances the brush, showing up with inventions of light, expanded with harmonic waves and unpredictable; however, remains incognito, hiding his imagination in the annals. I saw him play with himself - in fun - opening myriad round eyes that recall the Cauda Pavonis achimistica. In this painting positive refreshes the soul, reconciling beyond the limits of space-time, visiting the inside and outside, sacred sexuality, it enchants in color combinations that highlight the power of the Numen and the Annunciation of the cosmic principle Unit.
And as the Principle Act is divided into Creation, forming Yin and Yang, the feminine and the masculine, just as the work of Vincenzo Di Biase shows two different faces and polar symbolically representing the blood and animus. In some paintings are seeing number sequences of the explosion of color and shape, an impression of a constructive stimuli, even subversive, which are classified programmatically. Instead we immerse ourselves fully in other works in the feminine flow of vital water, where everything transmutes with mercurial languor, and where numerology is out, showing only the uncontrollable force that was there. In both cases, the logic is sublimated into philosophy without a name, which anticipates itself in the primordial mystery of wonder.
I think the secret aspiration of this artist is to be able to merge together, himself as in his work, the double inspiration of Yin and Yang, with a kabbalistic understanding arcane laws which are founded the Creation, in order to return in spirit to the Source. This intuitive dream belongs to every human being, lit by the divine spark in man that tends to create the amazing richness of their presence.
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