E 'for a long time that Elizabeth Vibhuti Limonta has the heart shape as an icon of its unique artistic experimentation. I suspect that, when germ, this is already begun in the womb, with the formation of his own heart, with that sudden spark knock that unites every great new life to the beat and chorus of the Living. He must have kept that ancestral memory in silence, until they found him - certainly a surprise! - The dance of his brush. As in a satori instant illumination, she said, and since then has multiplied the pulse of the heart in countless paintings. In fact, I see his enthusiastic thematic repetition as the mark of the One Heart beats multidimensional, universal symbol of the miracle of Love that creates and preserves the Creation. The artist told me to conceive it as a huge heart crystal formation in the center of the Earth, a beautiful picture and important, because only by recognizing the flow of love that sustains us, between us and joins us in communion with the all reconnect to Mother Earth, we heal our desperation of orphans volunteers. This commitment on sentimental, naturalist and environmentalist, is reflected especially in the hearts drawn like leaves, like those marked by an earthy materiality, or made fluid by a swirling blue that echoes even more that in a shell, the hidden sounds of the ocean.
In every picture he paints Vibhuti Elizabeth's heart, which is not only because his heart does not have a sense of private, exclusive, but exist to share, and glorify the whole. Heart that is hope, promise, research, investigation introspective revelation, through the whole rainbow of emotions, images, innermost thoughts. Just like a crystal heart, the artist's work is rich in nuances that glow different perspectives, from the conceptual, expressed particularly in the works several different materials, up to pure pictorial lyricism. I am pleased to know the artist and his work for several years, so I witnessed the unfolding of the thread of his tireless research, without ever broken or was tied in a tired repetition, and this gave rise to almost a labyrinth of images synchronized to each other, yet dissimilar, precious and perfectly autonomous . The key to this labyrinth is in ourselves: that heart, made by the artist with so much feeling, infects our inner source of love, often dormant, to revitalize.
guess the secret hope of Elisabeth Vibhuti is that his heart and the hearts of us all, you may fill so much of love to explode, eliminating the illusion of boundaries that restrict us in selfishness. I have seen his hearts become more and more swollen, dilated, gradually occupy the maximum space narrowing the margin of the picture and thereby herald the hope of the imminent explosion. But not with superficial optimism. Although they are often transformed in emphasis color them outside, keep the heritage of visceral survey, a meditation on the painful experience. This seems to intimate pulse of the heart itself, but also in the dialectical relationship between it and the space that surrounds it, never casual in the selection and color texture. Understanding the dramatic artist, exercised in the relationship between inside and outside, is essential to conceive the true value of his dream, to give body and root. Eros and tanathos are two sides of the mystery of life, but Love that is ineffably governs, and ultimately, to be able to really love, which states that Ego must die separation. Regarding this, a recent painting that is emblematic, with the fundamental polarities of black and white, shows a heart containing a skull, not a grave warning, such as vanitas, but a call to transcendence.
Artist of our time, Elisabetta Limonta Vibhuti favors an icon that is timeless, but with a contemporary language that carries the apparent contradictions, and sometimes surprising materials.
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