's analysis of some photos may allow us to better understand what makes a photograph unique.
The picture has three protagonists: a painter, a passerby who observes the work and her dog. The peculiarity of the picture is that the 'artist, yet in a position to justify the representation of a landscape (in fact he is on a bridge toward the city as if to take "inspiration" from the perspective) is about to paint a nude. This choice seems to be related to the awareness of 'artist who that person will attract the' attention of passersby, the painter is also decentralized in relation to this framework and is designed to enable the vision.
Even the photo of Bresson, L 'Arena of Valencia, is particularly interssante. The artist 'specifies that it can not exercise considered playing the real or staged, but as a composition of plastic and figurative elements. Those who assume the right and left bright colors and sharp contours with darker colors are not well defined, separated by a gray vertical segment. The photo, image deconstructing them and bringing up a two-dimensional plane, recalls the Japonisme. The ultimate aim is to deny that the photograph is only a mimetic representation of reality.
Also in the picture Stieglitz, Bridge third class, we find a division in the middle of the photo. In this case the partition is represented by intermadio a bridge between the first and third class of vessel. Punctum is represented by a white cap, very noticeable for its color. The picture is quite asymmetrical and does not present a precise point of reference.
0 comments:
Post a Comment